{"id":1335,"date":"2022-01-25T10:13:50","date_gmt":"2022-01-25T15:13:50","guid":{"rendered":"https:\/\/js1cd06kre.onrocket.site\/?p=1335"},"modified":"2022-01-25T10:13:50","modified_gmt":"2022-01-25T15:13:50","slug":"laughing-at-the-devil","status":"publish","type":"post","link":"https:\/\/glennsreflections.com\/index.php\/2022\/01\/25\/laughing-at-the-devil\/","title":{"rendered":"Laughing at the Devil"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/glennsreflections.com\/wp-content\/uploads\/2022\/01\/TheProducers.jpg\" alt=\"\" class=\"wp-image-1336\" width=\"360\" height=\"202\" srcset=\"https:\/\/glennsreflections.com\/wp-content\/uploads\/2022\/01\/TheProducers.jpg 500w, https:\/\/glennsreflections.com\/wp-content\/uploads\/2022\/01\/TheProducers-300x169.jpg 300w\" sizes=\"auto, (max-width: 360px) 100vw, 360px\" \/><\/figure>\n\n\n\n<p>Some subjects are just too painful, too controversial, or too recent to make people laugh.<br><br>Surely Adolph Hitler is near the top of that list.<br><br>But that didn\u2019t stop actor and director Mel Brooks from satirizing Nazi Germany just 22 years after the collapse of the Third Reich at the end of World War II.<br><br>In his 1967 movie <em>The Producers<\/em>, an egotistical theater producer named Max and his nerdy accountant Leo scheme to make money by staging the worst possible musical anyone can imagine.&nbsp; First they will massively oversell shares in the production.&nbsp; Then they will stage a flop so horrific that it will close after opening night \u2013 leaving them with a pile of unspent cash and the chance to flee to a new life in a warmer climate.<br><br>What musical might be so dreadful and so scandalous that it could never see a second night?&nbsp; &nbsp;&nbsp;<br><br>They find the loser of all losers \u2013 a musical about Germany\u2019s late Fuhrer, written by and starring a demented neo-Nazi.&nbsp; Max is certain that the theme and the script will \u201coffend people of all races, creeds, and religions.\u201d&nbsp; At the heart of the show is a musical number called <em>Springtime for Hitler<\/em>:<br><br><em>Germany was having trouble, what a sad, sad story<\/em><br><em>Needed a new leader to restore its former glory<\/em><em><br>Where, oh, where was he? Where could that man be?<br>We looked around and then we found the man for you and me<br>And now it&#8217;s&#8230;<br><br>Springtime for Hitler and Germany<br>Deutschland is happy and gay<br>We&#8217;re marching to a faster pace<br>Look out, here comes the master race<\/em><br><br>As Leo and Max hope, the show is perfect \u2013 that is, perfectly awful.&nbsp;<br><br>But their plan goes off the rails. &nbsp;Opening night turns out to be a success because the audience assumes it\u2019s all a satire.&nbsp; Max is crushed: \u201cI was so careful\u2026 I picked the wrong play, the wrong director, the wrong cast\u2026 Where did I go <em>right<\/em>?\u201d&nbsp;<br><br>Thirty-four years later, Brooks transformed his movie into a Broadway musical.&nbsp; Unlike his fictional characters, Brooks hit a home run.&nbsp; <em>The Producers<\/em> went on to win 11 Tonys, a number still unsurpassed on the Great White Way. &nbsp;<br><br>In his recent autobiography, <em>All About Me!<\/em> (a title that only Mel Brooks could get away with), he recounts an incident from March 2001 when the musical was still being refined and success was anything but guaranteed.&nbsp; Over the course of a week, <em>The Producers<\/em> was staged for multiple audiences of ordinary folks who might provide valuable feedback to Brooks and his team.&nbsp; Things did not always go swimmingly.&nbsp;<br><br>During <em>Springtime for Hitler<\/em>, a member of one of the test audiences couldn\u2019t restrain himself.&nbsp; He charged the stage.&nbsp; \u201cWhere is Mel Brooks?\u201d he yelled.&nbsp; \u201cThis is an outrage!&nbsp; You\u2019re celebrating Adolph Hitler!\u201d&nbsp;<br><br>Brooks jumped up and met him at the end of the aisle.&nbsp; \u201cI\u2019m Mel Brooks,\u201d he said.&nbsp; \u201cWhat\u2019s your problem?\u201d&nbsp; The man shrieked, \u201cThis show is a disgrace.&nbsp; How could you speak about Hitler? &nbsp;I was a soldier.&nbsp; I fought in World War II.\u201d&nbsp;<br><br>Unfazed, Brooks replied, \u201cI also fought in World War II.&nbsp; I don\u2019t remember seeing you there.\u201d&nbsp; He then tells his readers, \u201cThat kind of took the wind out of his sails.\u201d&nbsp; The man calmed down and returned to his seat.&nbsp;<br><br>In many regards, Mel Brooks is the only man who could have lampooned Adolph Hitler within a few decades of his reign of terror.&nbsp; Born Melvin Kaminsky, he is from a Russian-American Jewish family.&nbsp; He did indeed battle Nazi Germany as a member of the U.S. Army.&nbsp; Now 95 years old, he is the unrivalled master of farce and parody, including westerns (<em>Blazing Saddles<\/em>), horror (<em>Young<\/em><em>Frankenstein<\/em>), classic Hollywood (<em>Silent Movie<\/em>), Hitchcockian suspense (<em>High Anxiety<\/em>), and science fiction (<em>Spaceballs<\/em>).&nbsp;<br><br>But Adolph Hitler?&nbsp; Is it really possible to satirize one of the most humorless human beings of all time?<br><br>Brooks declares, \u201cIf you can bring these people down with comedy, they stand no chance.\u201d<br><br>That brilliant sentiment echoes what many of Christianity\u2019s leading thinkers have said over the centuries regarding someone infinitely worse than Hitler \u2013 Satan himself.&nbsp; Martin Luther said, \u201cThe best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for he cannot bear scorn.\u201d&nbsp; St. Thomas More added, \u201cThe devil\u2026that proud spirit\u2026cannot endure to be mocked.\u201d<br><br>Have you ever wondered why Satan is comically depicted as wearing a red suit and holding a pitchfork?&nbsp; Scripture is silent on his appearance.&nbsp; But medieval artists dealt with the devil by making fun of him.&nbsp;<br><br>Author Dwight Longenecker points out that this approach is consistent with C.S. Lewis\u2019 <em>Screwtape Letters<\/em>, a set of fictional correspondences between a senior demon and a junior tempter: \u201cTo laugh at Lucifer does not mean that we disregard him or underestimate his power.&nbsp; What it does mean is that we engage in the battle with a sense of humor, and a sense of proportion\u2026. Jeering and flouting him means that we are happy warriors.&nbsp; We are launching out on the spiritual battle with a spring in our step and a smile on our face.\u201d&nbsp;<br><br>That spring in our step and smile on our face comes from the assurance that Satan is a defeated enemy. &nbsp;\u201cResist the devil and he will flee from you,\u201d says James 4:7.&nbsp; We laugh at the devil because we know he cannot hurt us.<br><br>Longenecker remembers an older nun who shared with him that her confessor had fallen asleep while she was making her confession.&nbsp; \u201cOh dear,\u201d she said, smiling ruefully, \u201cit seems that not even my sins are very interesting!\u201d&nbsp; Then she laughed.&nbsp;<br><br>Such wonderful humility \u2013 the fact that we need never take ourselves too seriously \u2013 is a poke in the eye of \u201cthat proud Spirit\u201d who cannot endure to be mocked.<br><br>The world is filled with pain.&nbsp; It may seem impossible to sustain a happy heart in light of its many horrors.<br><br>But we know how this story is going to end.&nbsp; We are \u201cmore than conquerors,\u201d Paul says, \u201cthrough him who loved us\u201d (Romans 8:37).<br><br>Which means that if life is a musical, every one of us is being given a chance to sing for joy.&nbsp; &nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Some subjects are just too painful, too controversial, or too recent to make people laugh. Surely Adolph Hitler is near the top of that list. But that didn\u2019t stop actor and director Mel Brooks from satirizing Nazi Germany just 22 years after the collapse of the Third Reich at the end of World War II. In his 1967 movie The&#8230; <a href=\"https:\/\/glennsreflections.com\/index.php\/2022\/01\/25\/laughing-at-the-devil\/\">Read more &raquo;<\/a><\/p>\n","protected":false},"author":2,"featured_media":1336,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[386],"class_list":["post-1335","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-satan"],"_links":{"self":[{"href":"https:\/\/glennsreflections.com\/index.php\/wp-json\/wp\/v2\/posts\/1335","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/glennsreflections.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/glennsreflections.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/glennsreflections.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/glennsreflections.com\/index.php\/wp-json\/wp\/v2\/comments?post=1335"}],"version-history":[{"count":1,"href":"https:\/\/glennsreflections.com\/index.php\/wp-json\/wp\/v2\/posts\/1335\/revisions"}],"predecessor-version":[{"id":1337,"href":"https:\/\/glennsreflections.com\/index.php\/wp-json\/wp\/v2\/posts\/1335\/revisions\/1337"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/glennsreflections.com\/index.php\/wp-json\/wp\/v2\/media\/1336"}],"wp:attachment":[{"href":"https:\/\/glennsreflections.com\/index.php\/wp-json\/wp\/v2\/media?parent=1335"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/glennsreflections.com\/index.php\/wp-json\/wp\/v2\/categories?post=1335"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/glennsreflections.com\/index.php\/wp-json\/wp\/v2\/tags?post=1335"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}